front cover of The Garnsey Spring Campsite
The Garnsey Spring Campsite
Late Prehistoric Occupation in Southeastern New Mexico
William J. Parry and John D. Speth
University of Michigan Press, 1984
In 1977 and 1978, Parry and Speth excavated the Garnsey Spring site, an aboriginal campsite southeast of Roswell, New Mexico. Here they describe their fieldwork and the analysis of the artifacts found at the site, including lithics and ceramics. Pollen analysis is also included.
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front cover of Ghost Ranch
Ghost Ranch
Lesley Poling-Kempes
University of Arizona Press, 2005
For more than a century, Ghost Ranch has attracted people of enormous energy and creativity to the high desert of northern New Mexico. Occupying twenty-two thousand acres of the Piedra Lumbre basin, this fabled place was the love of artist Georgia O’Keeffe’s life, and her depictions of the landscape catapulted Ghost Ranch to international recognition.

Building on the history of the Abiquiu region that she told in Valley of Shining Stone, Ghost Ranch historian Lesley Poling-Kempes now unfolds the story of this celebrated retreat. She traces its transformation from el Rancho de los Brujos, a hideout for legendary outlaws, to a renowned cultural mecca and one of the Southwest’s premier conference centers.

First a dude ranch, Ghost Ranch became a magical sanctuary where the veil between heaven and earth seemed almost transparent. Focusing on those who visited from the 1920s and ’30s until the 1990s, Poling-Kempes tells how O’Keeffe and others—from Boston Brahmin Carol Bishop Stanley to paleontologist Edwin H. Colbert, Los Alamos physicists to movie stars—created a unique community that evolved into the institution that is Ghost Ranch today. For this book, Poling-Kempes has drawn on information not available when Valley of Shining Stone was written. The biography of Juan de Dios Gallegos has been enhanced and definitively corrected. The Robert Wood Johnson (of Johnson & Johnson) years at Ghost Ranch are recounted with reminiscences from family members. And the memories of David McAlpin Jr. shed light on how the Princeton circle that included the Packs, the Johnson brothers, the Rockefellers, and the McAlpins ended up as summer neighbors on the high desert of New Mexico.

After Arthur Pack’s gift of the ranch to the Presbyterian Church in 1955, Ghost Ranch became a spiritual home for thousands of people still awestruck by the landscape that O’Keeffe so lovingly committed to canvas; yet the care taken to protect Ghost Ranch’s land and character has preserved its sense of intimacy. By relating its remarkable story, Poling-Kempes invites all visitors to better appreciate its place as an honored wilderness—and to help safeguard its future.
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front cover of The Good Rainbow Road
The Good Rainbow Road
Simon J. Ortiz; Illustrations by Michael Lacapa
University of Arizona Press, 2004
This is the story of two courageous boys and of how they saved their village.

Their village is called Haapaahnitse, Oak Place, and it lies at the foot of a mountain. Once there was a lake and a stream nearby, but they have dried up. Once rain and snow came, but no more. Not only did the crops wither and die, even the hardy oak trees have become brittle sticks. The land has become barren and dry.

Two brothers, Tsaiyah-dzehshi, whose name means First One, and Hamahshu-dzehshi, Next One, are chosen for an important mission. They are sent on a westward trek to the home of the Shiwana, the Rain and Snow Spirits, to ask them to bring the gift of water to the village again. The brothers cross deserts and mountains on an arduous journey until they are finally stopped short by a treacherous canyon filled with molten lava.

The Good Rainbow Road tells how the brothers overcome this last challenge and continue on to their destination. Written in the tradition of Native American oral storytelling and accompanied by colorful illustrations from celebrated Native artist Michael Lacapa, it brings the powers of language, memory, and imagery to a tale that will captivate children ages seven and up.

As Simon Ortiz writes, "The Good Rainbow Road is located in the Native American world, but it is not limited to that world. Even considering humankind's many ethnic and racial differences, we are all part of each other as people and the rest of all Creation, and our stories join us together." This is the foundation of The Good Rainbow Road, and on that road young readers will broaden their understanding of humanity's common bonds.

The Good Rainbow Road is presented in Keres, the language of Acoma Pueblo and six other Pueblo communities in New Mexico, and in English, with an additional Spanish translation in the back of the book.

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front cover of The Greater Chaco Landscape
The Greater Chaco Landscape
Ancestors, Scholarship, and Advocacy
Ruth M. Van Dyke
University Press of Colorado, 2020
Since the mid-1970s, government agencies, scholars, tribes, and private industries have attempted to navigate potential conflicts involving energy development, Chacoan archaeological study, and preservation across the San Juan Basin. The Greater Chaco Landscape examines both the imminent threat posed by energy extraction and new ways of understanding Chaco Canyon⁠ and Chaco-era great houses and associated communities from southeast Utah to west-central New Mexico in the context of landscape archaeology.
 
Contributors analyze many different dimensions of the Chacoan landscape and present the most effective, innovative, and respectful means of studying them, focusing on the significance of thousand-year-old farming practices; connections between early great houses outside the canyon and the rise of power inside it; changes to Chaco’s roads over time as observed in aerial imagery; rock art throughout the greater Chaco area; respectful methods of examining shrines, crescents, herraduras, stone circles, cairns, and other landscape features in collaboration with Indigenous colleagues; sensory experiences of ancient Chacoans via study of the sightlines and soundscapes of several outlier communities; and current legal, technical, and administrative challenges and options concerning preservation of the landscape.
 
An unusually innovative and timely volume that will be available both in print and online, with the online edition incorporating video chapters presented by Acoma, Diné, Zuni, and Hopi cultural experts filmed on location in Chaco Canyon, The Greater Chaco Landscape is a creative collaboration with Native voices that will be a case study for archaeologists and others working on heritage management issues across the globe. It will be of interest to archaeologists specializing in Chaco and the Southwest, interested in remote sensing and geophysical landscape-level investigations, and working on landscape preservation and phenomenological investigations such as viewscapes and soundscapes.
 
Contributors: R. Kyle Bocinsky, G. B. Cornucopia, Timothy de Smet, Sean Field, Richard A. Friedman, Dennis Gilpin, Presley Haskie, Tristan Joe, Stephen H. Lekson, Thomas Lincoln, Michael P. Marshall, Terrance Outah, Georgiana Pongyesva, Curtis Quam, Paul F. Reed, Octavius Seowtewa, Anna Sofaer, Julian Thomas, William B. Tsosie Jr., Phillip Tuwaletstiwa, Ernest M. Vallo Jr., Carla R. Van West, Ronald Wadsworth, Robert S. Weiner, Thomas C. Windes, Denise Yazzie, Eurick Yazzie
 
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